Category Archives: Convergence

Laneways by George – looking sideways in Sydney’s CBD

Forgotten Songs

Forgotten Songs


Following on our trip to Melbourne, the Holler creatives ventured outside Surry Hills (gasp!) and into the far northern tip of the CBD. Laneways by George is an initiative by the City of Sydney to bring its historic laneways into focus. A few months ago Holler pitched an idea (together with Arup, SuperCollossal, UTS DAB, the ABC and the Powerhouse Museum) for a series of installations. Sadly it didn’t get the green light, possibly because it proved way too ambitious. Our proposal included covering all the featured laneways with WiFi, connecting the places with an overarching narrative, projecting dynamically onto the walls, bringing historical footage onto the mobile…you can tell, it was the whole digital shebang.

Don’t quite know why we went overboard like this, maybe a desire to catch up with what other cities have done already (did I hear anyone say Melbourne?). Anyway, maybe there are some nuggets of inspiration in it for you – if you can decipher the tiny type.

Seven Metre Bar

Seven Metre Bar


Some installations stand out like the birdcages in Angel Place (“Forgotten Songs“), the flood-simulating trash collage (“Seven Metre Bar“) or the strangely erotic/revolting humming pieces of flesh in Bridge Lane (“I Dwell in the City and the City Dwells in Me“).
Laneways by George

I Dwell in the City and the City Dwells in Me


In the end, the series of installations is worth exploring. Even if the work doesn’t resonate with you – you walk through spaces you didn’t know existed and wouldn’t use (unless you are a delivery man for some of the bars and shops on the high street).
Bridge Lane painted signs

Bridge Lane painted signs

YouTube Live – 90 minutes of web celebrities

YouTube’s first foray into live entertainment just “aired” and these are a couple of my first impressions and observations (in no particular order).

YouTube Live vloggers/hosts

YouTube Live vloggers/hosts

  1. When you glue together web celebs (or ‘webreblities’ as they seem to be called) it makes for a fairly entertaining format – lots of B-boying and body popping though. I either leaned back during the guests I knew or browsed in parallel for the reference videos of guests I hadn’t seen before.
  2. YouTube avoided Yahoo!s bandwidth choke a month ago and the streaming in high quality went smoothly.
  3. YouTube did a good job in selling themselves as the credible platform for becoming a star out of nowhere. Either through starring, experimenting, mimicking, spoofing, playing the background track to something strange, etc … OK, everybody knew that already but seeing a whole 90 minutes of web-born stars must have given some kids another motivational boost.
  4. When you take some acts out of their living room, you realize they aren’t that interesting, vocally gifted or funny.
  5. Is “Choccolate Rain’”s Tay Zonday the voice of generation V ?
  6. Some of the backstage/offstage footage was a real challenge to watch and definitely took a bit of the fascination out of it. Nothing new for people who have been to TV-recorded gigs. It goes to show that directing 90 minutes of live entertainment with three simultaneous feeds poses the same logistical challenges it did before the interweb.
  7. Nice integration of a live stream from aboard Virgin America, on a plane on its way to the show.
  8. A modern audience seems to be so busy with recording events via mobile phone, they don’t clap or wave their arms anymore. Given that Flip Mino was a main sponsor it was a fitting sight. I couldn’t find links to any ‘audience videos’ that were supposedly uploaded during the event. Reminds me of BeastieBoys’ I Shot That.
  9. Most importantly, there was no interactivity with the web audience that i could see. The usual channel comments or any sort of live stats did not have any influence on the show. There were no live overlays directing users to additional footage/info. I am sure a space YouTube will expand their format into.
YouTube Live VJaying by

YouTube Live VJaying by Mike Relm

The whole show format definitely beat any Australian live show that is on regular TV. If you have seen a re-broadcast or excerpts what are your first thoughts?

Additions:
JaffeJuice commented on the integration of sponsors, appointment viewing,  catch up in byte-sized clips and most important of all the potential of future interactivity (e.g. integration of live commenting with services like 12seconds.tv).

And this is…like…a YouTube Live response of guest Daxflame …that is … like awesome and uh…he met sooo many friends. And stuff.

Hm, guess this parody is too close to real teenager speak for me.

Setanta versus Slingbox

In this cringe worthy piece of bad home video I compared the quality of my Setanta Broadband package with a Slingbox sitting in the UK.

Setanta for which I paid $150 (EURO 2008 was to blame!) displays scandalously low quality, dropping frames like a drunken chef chopping for a ratatouille. The slingbox simultaneously shows smooth quality for which I haven’t paid a cent but just asked my English mate for his password.

Now guess which model is the winning one.

Top real-time commentary tools: Hacking US election debates

As Sarah and John enter their VP bout of phrases (this Friday, SBS 11am), I collected some examples of online politics with real-time communication. Big events like the US elections or the Super Bowl always raise the bar or set a deadline for which many companies, publishers and advertisers develop new tools. People at the same time are very receptive for changes in the way they consume and interact with media. 

mage by Laughing Squid

image by Laughing Squid

 

  1. Current.TV is teaming up with Twitter to “hack the debates”, similar to the worm on Australian politics it shows a real-time emotional response. But no point in trying to ban this one as in effect it goes further, by fusing IP-TV with social media commentary. There is a teaser video here. If you are in need of rubbing shoulders with Al G., gatecrash the next live event at their office. While I find the flurry of comments too fast and either inter-related or too random to follow, the political version of Twitter is an interesting stream of semi-private and semi-public polling / chat / discussion / activism.
  2. Twitter is running its solo stream of commentary which social media people like Owyang plug into with a “#tweetdebate” (analyzed by him here).
  3. If the questions themselves are irksome to you, lobby and campaign for your own through a tool like Google moderator and make your version bubble to the top,  Town Hall-style and in a similar vein to the YouTube question night
  4. The overlay of social commentary on video is still sort of new-ish, here a funny example in politics of an Obama speech video on TubePopper. Somebody give me the real time version of this (only witty people allowed to use it please!)
  5. More extensive is Ved.io. Their player allows users to insert html, images, comments, dynamic feeds and even  widgets into a stream of video (demo video here).
  6. MSNBC Politics uses the debates to (post-event) split the (from a visual stand point) formulaic format. The resulting smallest components are then made searchable. An automated semantic understanding of that video material in real-time would be the next step (2012: Sarah Palin vs. Hillary Clinton).
  7. Now combine this ongoing stream of mere opinions with something more factual like Google’s InQuotes and CNN’s usual deep data analysis. They already blew me away in 2004, so that night should be a visual feast for data nerds

Voila, any user can turn into a qualified commentator, covering any complex debate like a pro — If they can keep hold of the “nuggets of meaning” in this vast amount of input. Connected with immediate polling it all gives a pretty exciting (or hectic, depending on your point of view) analysis at what matters to people and who scores in politics. What jolly good clairvoyance shown by Monthy Python in their Election Night Special. 

And obviously all this generates more than direct political commentary. The amount of data, some of it even geo-location specific (entered via mobile or membership sites), gives an insight into who might be more susceptible to “green car”, “home alarm” or “cheap childcare” advertising. I guess it is not what most people who enter their comments are even aware of.

Surfacing digital in physical: How data is changing our streets and cities

On Thursday May 15 I have the pleasure of hosting the next Creative Social, the global digital collective/get-together brought to Sydney by Profero.

I invited the immensely thoughtful Dan Hill, who was leading the design on BBC’s and Monocle‘s web sites before joining Arup in Sydney. Dan writes amazingly dense blog posts on City of Sound and I tend to read them after work as I am otherwise not able to catch enough time or head space. My former St.Edmonds Lab fellow Dave King confesses to actually printing them out.

But enough of this intro, I am making him appear to be an über-bookworm while in fact Dan is a very inspiring and resourceful mind. Dan previews his talk with the following:

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Surfacing digital in physical: How data is changing our streets and cities

Melbourne
image of Melbourne by Wanderungen

The streets are now alive with data, invisible but all pervasive. Buildings can now talk to each other and virtually every object that comes within range, human or not. Given this new potential, how do we design better streets, better buildings? How should we see the street as a platform? What are the creative challenges now that we can make things talk?

We’ll pause to consider the volume of data already immersing our streets, before moving on through a whirlwind global tour of best practice in:

* designing digital systems for physical spaces;
* interactive architecture and new materials in facades;
* sensing the digital traces left by people in cities;
* new wayfinding and transit systems;
* the interplay between mobile devices and streets

———————————————

I am sure the talk plus questions and discussion will be pretty inspiring for all of us. His post on how a game like GTA adds to the “visualization” of Los Angeles (just like Chinatown did as a movie) is definitely a good intro to Thursday’s event.
Santa Maria in GTA
image of GTA by Dan Hill

For those who would like to learn more about Dan’s work on media design / webcasting, this is quite a treasure post on the design process and brand building at Monocle.com and this one documents the work on “re-inventing radio” at the BBC a couple of years earlier.

Monocle.com
image of Monocle by Dan Hill